Posters

 

Bjork Poster



Western Amerykanski: Polish Poster Art of the Western by Kevin Mulroy,

Western Amerykanski: Polish Poster Art of the Western by Kevin Mulroy,
The figure of Gary Cooper as the proud frontier sheriff striding down the street in the 1952 American Western High Noon is as much a symbol of dignity and courage in contemporary Poland as it is in the United States. In 1989, for Poland's first free election since the Communist takeover, the political party Solidarity dramatically and successfully used that image of Cooper on a campaign poster urging voters to respond to their country's own "high noon" -- their critical moment of decision. The Western motion picture, from its silent days on, exported an epic vision of America. William S. Hart, John Wayne, James Stewart, Henry Fonda, Gregory Peck, Clint Eastwood, and Kirk Douglas became legendary heroes throughout the world, and especially in Poland. In postwar Poland, film poster artists employed the universally recognized symbols of the Western -- horse, six-shooter, boots, tin-star badge, Stetson, saddle -- to convey violence as a negative force. Unlike many other art forms, the film poster did not fall within the censor's domain because it was not expected to pose a threat to the social order. But messages were conveyed through subtle means of symbol and color. The Polish poster has been likened to the Trojan horse, with the artist smuggling messages onto the streets in the guise of ephemera. The posters displayed so strikingly in this book, and discussed in three essays, are from the golden age of Polish poster-making, the mid-1940s to the 1970s. They are part of the collection assembled by the Autry Museum of Western Heritage, the Western poster holdings of which include more than a hundred created in Poland -- the largest such collection outside of Poland itself.



Travel by Train: The American Railroad Poster, 1870-1950 by Michael E. Zega,
Travel by Train: The American Railroad Poster, 1870-1950 by Michael E. Zega,
Between 1870 and 1950, America's railroads produced a body of poster work significant both for the artists involved and for the range of images created. The railroads used this visual medium from their founding, first in the form of broadsides, dominated by text and intended to convey practical information, and then, during the 1890s, as vivid lithographed display posters. For the next 50 years American railroads commissioned posters designed to spur the popular imagination and thereby encourage travel. Images of compelling intensity included Maurice Logan's icons of the 1920s, overland limiteds passing in the West; Adolph Treidler's wonder cities; Santa Fe's Native Americans; and Leslie Ragan's and Sascha Maurer's machine-age steamliners. Although a great deal has been written about European railway and travel posters, their American counterparts remained in the shadows. Travel by Train focuses on the artists, railroad men, and advertising agencies that created and produced the work. It presents the posters in the context of the historical trends and competitive strategies that shaped the development of the railroad industry. The book also follows the development of the advertising business and graphic design in the U.S. and Europe. It features approximately 160 poster images (many in color), personal photographs, and sketches, many of them never before published.



Brant Bjork and the Bros - Brant Bjork and the Bros is one of the stage names used by Brant Bjork and his band on tour. Brant Bjork (vocals, guitar), Mike Peffer (drums), Dylan Roche (bass) and Cortez (guitar) have used this name in 2004 and 2005 when touring Europe, the United States and Australia.

Poster child - The phrase poster child originally referred to a child afflicted by some disease or deformity whose picture is used on posters to raise money for charitable purposes; "she was the poster child for muscular dystrophy".

Recruitment poster - A recruitment poster is a poster used in advertisement to recruit people into an organization, usually a military.

Poster art - Poster art has its development origins in Paris, France after the creation of the three-color lithograph process around 1850. Led by the work of the father of the industry, Jules Chéret, the poster provided a low cost method of advertising for theatrical and sporting events as well as store and manufacturers' goods.



bjorkposter

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